This is not another story about pit bulls. About how they’re amazing dogs, surprisingly so, over-bread and burdened with tarnished reputations thanks to Michael Vick and his kind. This isn’t a story about spay and neuter, or evil puppy mills “Why Shelter Dogs Rule,” or “Why Pet Stores Suck.” They do, but that’s not what this is about.
Because there’s a good chance they that you don’t care. Not to suggest you’re some robot devoid of human emotion. But the problems within our shelters are enormous, unending and painful. Who’s got the time or emotional capacity when you’ve got to care for your own?
But you might want to care about this. Because this is about your dog.
More specifically, it’s about the little bone shaped ID tag hanging off his collar. The little jewel that you, the responsible pet owner, knew to go hand in hand with having a dog. The address and phone number representing the risk that your pet could get lost. Maybe you’re extra responsible (or like me, excessively paranoid) and obtained additional insurance in the form of a microchip. Because there’s always a chance that your dog might escape without his collar. You know these things to be true, that’s why you prepare for them.
There’s another organization that’s also well aware of this danger. And they should be, given they’re the Center for Animal Care and Control, the New York City agency designated to do the job their name describes. But as a pet owner, there is further danger you need to know. The New York City Shelters do not perform lost and found checks. They don’t maintain a Lost and Found page on their website. You know, the one that begs for donations? They’re only required to SNAIL MAIL the address his ID tag so prominently displays under the words “IF LOST.” If the letter isn't answered in 10 days, the dog dies. And if you try to actually phone them, good luck. The CACC no longer has a central phone system, as it was a victim of the most recent budget cuts directed by Mayor Bloomberg. If your dog becomes lost, you may be able to gather your wits during this traumatic experience and call the city shelters. But if a phone rings and rings with no one to answer, does it make a sound?
Note, if your dog is picked up without ID, CACC is only required to hold your dog for 72 hours before they suck the life from those big brown eyes.
If you’re like me, you always imagined that if your dog got out, it would be her ID tag and microchip that would ultimately bring her home. You’d email blast everyone you knew. You’d post her picture all over the world – lampposts, community boards, Facebook, Tumblr, Twitter. You’d comb the streets, her favorite dog parks and pet stores. You’d do everything that one human could physically achieve, all the while assuming that if picked up by Animal Control, they’d scan the microchip or read the tag and call you immediately. I mean, that’s what they do, right? Animal Care and Control. Shelter your dog until a hired cab tears through uptown traffic and delivers a very relieved and likely sobbing doggy parent to her best friend finally found.
But thanks to Mayor Bloomberg, the chances of the above scenario are about as likely as a pit bull leaving the CACC alive. While romancing the presses with his line “There’s never been a better time to be a dog,” Cruella De Vil, ahem, Bloomberg was busy cutting $1.5 million and subsequently Lost and Found from the CACC’s services. As I’m sure you can imagine, that’s not all we’ll be losing.
This is a quote from a story from a NY Magazine article that is unfortunately all too common at the AC&C.
"I was away with my family over the weekend," says Adrienne Evans, a financial assistant at BMG Entertainment in New York. "My neighbor was watching our dog for us. She took him for a walk in the park and he slipped his collar." The dog, who had the misfortune to be born a pit bull, was sitting on his own doorstep when the CACC picked him up. Evans came home a day later and immediately began searching. When a neighbor informed her that the CACC had picked up the dog, she called the shelter right away. "I was told they couldn't find him, and that I had to come in and look for myself. The dog was really distinct, brown and white with big blue eyes." His ears and tail were not cropped, indicating that he had never been a fighting dog. The following day, Evans went straight to the Manhattan shelter after work. She went through the wards, calling out the dog's name. "I knew he'd cry out to me," she said. She stopped every kennel worker and described her dog. Yes, someone told her. "He's here. I saw him." Yet no one could find him, or knew where he had been caged. After a painful search, one of the managers brought Evans into a room and sat her down.”
Her dog’s body was still warm.
And this was before they stopped doing lost and found checks.
But this isn’t a story about Evans’ dog. This is about your dog. And the Unfortunate Case of the Faithful Owner Who Turned His Back for Two Seconds. Or went out of town. Or had a had a dog walker who said, “I’m really, really sorry, but…” And anyone who says, “Not me, not my dog.” By cutting Lost and Found, the CACC has indirectly decided the fate of every companion animal who risks becoming lost. In other words, every animal.
There are so many issues wrong with the CACC. So many. As a dog owner/tax payer, for me this represents the last straw. I hope it does for you too.
Even restoring the lost and found checks, will help enormously. It will free up cage space, as dogs and owners are reunited. It will ensure that others there are walked, fed, and loved more frequently. Most importantly, it will bring your dog back where he belongs. The side effects of which could ensure more dogs share the fortune of the one proudly donning the address he calls home.
Sign the petition.
Write Mayor Bloomberg.
Watch this ABC report.
they call me concha
¡viva la concha!
Friday, May 20, 2011
Tuesday, May 03, 2011
Aint Too Proud
When I heard the news about bin Laden's death, my instinctive reaction wasn’t much of one. “Isn't he more powerful as an idea?” I thought. It’s not like George Washington's death marked the end of America.
Or – what I find much more troubling – American nationalism. This badge we proudly emblazon across our collective chest to suggest unity, and/or if we were more honest, the belief we're inherently better than any other land mass. Listening to NPR the morning after the announcement, meant hearing plenty of alcohol soaked pride as Ground Zero celebrators waxed bromidic about their country’s “achievement.”
Frat boy, please. Your pride runs about as deep as the party's supply of Budweiser.
The soberest (pun intended) words I heard were from an ex-pat German, warning against the nationalism he witnessed. Apropos, because what nationality better to warn us of nationalism's absurdities. Its randomness And its dangers. But observing our fellow country people the past few days, its almost like WWII never happened.
There’s more than one event we should “never forget,” you know.
I'm not going to pretend to be an expert on foreign policy or the War on Terror, so I'll stop here an let this TruthDig articlespeak with far greater authority and articulation.
Obviously, I’m not a nationalist. Unlike many may be quick to accuse, I’m not anti-American either. I care about as much about America as I do every other arbitrarily drawn land mass. I wish them all the best, and that’s about as deep as my Rabbit hole goes. I'm not ignorant to the freedom's grated to me by America, I just believe they only make me luckier than others. Not "better." I'm not defending bin Laden. Nor am I suggesting he didn't deserve to die for killing thousands of people. But like nationalism, justice is just an idea. One rife with potential danger. One that becomes far less immediate if retaliation affects our physical world.
It's our double rainbow, but really, what does it mean?
Oh, and America nationalists and Glen Beck have something in common , FYI.
Or – what I find much more troubling – American nationalism. This badge we proudly emblazon across our collective chest to suggest unity, and/or if we were more honest, the belief we're inherently better than any other land mass. Listening to NPR the morning after the announcement, meant hearing plenty of alcohol soaked pride as Ground Zero celebrators waxed bromidic about their country’s “achievement.”
Frat boy, please. Your pride runs about as deep as the party's supply of Budweiser.
The soberest (pun intended) words I heard were from an ex-pat German, warning against the nationalism he witnessed. Apropos, because what nationality better to warn us of nationalism's absurdities. Its randomness And its dangers. But observing our fellow country people the past few days, its almost like WWII never happened.
There’s more than one event we should “never forget,” you know.
I'm not going to pretend to be an expert on foreign policy or the War on Terror, so I'll stop here an let this TruthDig articlespeak with far greater authority and articulation.
Obviously, I’m not a nationalist. Unlike many may be quick to accuse, I’m not anti-American either. I care about as much about America as I do every other arbitrarily drawn land mass. I wish them all the best, and that’s about as deep as my Rabbit hole goes. I'm not ignorant to the freedom's grated to me by America, I just believe they only make me luckier than others. Not "better." I'm not defending bin Laden. Nor am I suggesting he didn't deserve to die for killing thousands of people. But like nationalism, justice is just an idea. One rife with potential danger. One that becomes far less immediate if retaliation affects our physical world.
It's our double rainbow, but really, what does it mean?
Oh, and America nationalists and Glen Beck have something in common , FYI.
Tuesday, April 05, 2011
Get Out of My Pants
Try not to choke on your hashtags, but I’m a big fan of the 30 second spot. (I’ll give the digital strategists a second to clean up the Massengill they just blew out their nose.) Call it media blasphemy. But I’m a fan of the crafting that once lassoed my extreme ADHD, capturing me for a full 30 seconds, while I inquired along with Clara Peller and the rest of America, whereabouts of said “beef.” Yeah, them were simpl’r times. But better simple (and funny!) than utterly fucking disgusting.
Disgusting like this digital advertising version of the Garbage Pail Kid. Hey, gals! Kotex is inviting you to put on your creative caps and get artsy by designing its, well, Maxi Pads!?!? Maybe it’s because I have the sophisticated sense of humor of a 13-year-old boy. But this complete FAIL of an execution conjured up all kinds of uncomfortable questions (and images) like, “Aren’t we already kind of coloring these things anyway?” (Properly disgusted yet? Ok, then.) This isn’t the first time we’ve invited the audience to craft the message, it just happens to be a big “REALLY?” from an industry that’s lost its fucking marbles and/or more and more seeing itself as curator rather than creator. When I say I’m a fan of the 30 second spot, what I really mean is that I like stories. Good ones. The kind told by people with a knack for that sort of thing. Not anybody with a mouse and a maxi pad.
Here’s something actually worth your attention. Martin Scorsese’s documentary Public Speaking on writer, Fran Lebowitz.
(Go see it. It’s hilarious. Seriously.)
In it, she laments the democratization of creativity. “There are too many books. These books are terrible, and this is because you have been taught to have self esteem.” She also admits to not owning a computer. Which is probably for the best. Because given her attitude about literary content that actually made it through publishing, I suspect if she got her eyeballs on a “mommy blog,” she would croak immediately.
Digital’s greatest strength is also, I’m afraid, its greatest weakness. There are too many lazy advertising “creatives” out there, equating brand conversation with handing out “crayons for everybody!” Result? There are too many story tellers, but not enough stories. There’s a lack of connoisseurship, because we’ve done away with the traditional gatekeepers of content, instead adapting the kindergarten teacher mentality that “Everybody’s creative!” No. They’re not. (Nor is everything a canvas. Especially maxi pads.) “Interactive” doesn’t mean we let the audience do all the talking. That would be like going to MSG, only for James Murphy to pass out turn tables and clarinets to the audience, sit on stage, and wait for us to play.
That does not, however, mean digital doesn’t possess a wildly important role. The Times just ran a great article about the ways Museums have adapted social media to engage their audience. It’s turning museums into “virtual community centers. Curators and online visitors can communicate, learning from one another.” It’s about, says Ian Padgham, the SFMoMA digital engagement associate, “off the cuff transparency.” Which for a museum, makes total sense. An organization which might have been viewed as stogy and inaccessible, is now an open-armed community, empowering its visitors with a voice. But here’s the key difference. While there’s an invitation to talk about it, nobody’s creating the art.
I don’t mean to say social media etc is only good for product discussion. (I know it gets a little mucky because they’re both about “creation.”) It just happens to make perfect sense for museums. But that’s the thing. It makes perfect sense because there’s an idea behind it. Dare I say it acts as a narrative for a larger story: “Museum art exists for it’s audience.” It certainly does not create a microsite inviting users to “Punk your Pollock!” and digitally splatter away. (P.S. If you’re not groaning there’s something wrong with you. ) Sure it might increase attendance. But what’s good for business might cause another freaking earthquake, as the entire generation of abstract expressionists roll over in their graves. It’s a quick fix, but ultimately the real Pollock suffers. Not to mention our culture.
“Curation” may be the culture’s buzz word de jour, but we’re not going to have much of one, if we leave it up to everybody.
Disgusting like this digital advertising version of the Garbage Pail Kid. Hey, gals! Kotex is inviting you to put on your creative caps and get artsy by designing its, well, Maxi Pads!?!? Maybe it’s because I have the sophisticated sense of humor of a 13-year-old boy. But this complete FAIL of an execution conjured up all kinds of uncomfortable questions (and images) like, “Aren’t we already kind of coloring these things anyway?” (Properly disgusted yet? Ok, then.) This isn’t the first time we’ve invited the audience to craft the message, it just happens to be a big “REALLY?” from an industry that’s lost its fucking marbles and/or more and more seeing itself as curator rather than creator. When I say I’m a fan of the 30 second spot, what I really mean is that I like stories. Good ones. The kind told by people with a knack for that sort of thing. Not anybody with a mouse and a maxi pad.
Here’s something actually worth your attention. Martin Scorsese’s documentary Public Speaking on writer, Fran Lebowitz.
(Go see it. It’s hilarious. Seriously.)
In it, she laments the democratization of creativity. “There are too many books. These books are terrible, and this is because you have been taught to have self esteem.” She also admits to not owning a computer. Which is probably for the best. Because given her attitude about literary content that actually made it through publishing, I suspect if she got her eyeballs on a “mommy blog,” she would croak immediately.
Digital’s greatest strength is also, I’m afraid, its greatest weakness. There are too many lazy advertising “creatives” out there, equating brand conversation with handing out “crayons for everybody!” Result? There are too many story tellers, but not enough stories. There’s a lack of connoisseurship, because we’ve done away with the traditional gatekeepers of content, instead adapting the kindergarten teacher mentality that “Everybody’s creative!” No. They’re not. (Nor is everything a canvas. Especially maxi pads.) “Interactive” doesn’t mean we let the audience do all the talking. That would be like going to MSG, only for James Murphy to pass out turn tables and clarinets to the audience, sit on stage, and wait for us to play.
That does not, however, mean digital doesn’t possess a wildly important role. The Times just ran a great article about the ways Museums have adapted social media to engage their audience. It’s turning museums into “virtual community centers. Curators and online visitors can communicate, learning from one another.” It’s about, says Ian Padgham, the SFMoMA digital engagement associate, “off the cuff transparency.” Which for a museum, makes total sense. An organization which might have been viewed as stogy and inaccessible, is now an open-armed community, empowering its visitors with a voice. But here’s the key difference. While there’s an invitation to talk about it, nobody’s creating the art.
I don’t mean to say social media etc is only good for product discussion. (I know it gets a little mucky because they’re both about “creation.”) It just happens to make perfect sense for museums. But that’s the thing. It makes perfect sense because there’s an idea behind it. Dare I say it acts as a narrative for a larger story: “Museum art exists for it’s audience.” It certainly does not create a microsite inviting users to “Punk your Pollock!” and digitally splatter away. (P.S. If you’re not groaning there’s something wrong with you. ) Sure it might increase attendance. But what’s good for business might cause another freaking earthquake, as the entire generation of abstract expressionists roll over in their graves. It’s a quick fix, but ultimately the real Pollock suffers. Not to mention our culture.
“Curation” may be the culture’s buzz word de jour, but we’re not going to have much of one, if we leave it up to everybody.
Monday, November 22, 2010
A Major Prize, I Won I Won I Won!
Sunday, November 14, 2010
Saturday, November 13, 2010
Wednesday, August 04, 2010
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